Primary Sources:

Alberti, L. B. Della Famiglia/On the Family. Lewisburg: Bucknell University Press, 1971.

Chambers, David.  Patrons and Artists in the Italian Renaissance.  Columbia:  University of South Carolina Press, 1971.

Pliny the Elder. Natural History. Cambridge: Harvard University Press, 1938-63. 10 vols.

Ridolfi, Carlo.  The Life of Titian. Edited by Julia Conaway Bondanella, Peter Bondanella, Bruce Cole and JodyRobin Shiffman. Translated by Julia Conway Bondanella and Peter Bondanella. University Park, PA:  The Pennsylvania State University Press, 1996.

Vasari, Giorgio.  The Lives of the Painters, Sculptors and Architects.  2 vols.  Translated by Gaston C. du Vere;  introduction and notes by David Ekserdjian.  New York:  Alfred A. Knopf, 1996.

Secondary Sources:

Brown, David Alan, et al.  Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting. New Haven:  National Gallery of Art/Yale University Press, 2006.

Brown, Judith C., and Robert C. Davis.  Gender and Society in Renaissance Italy.  London: Longman, 1998.

Brown, Patricia Fortini.  Private Lives in Renaissance Venice:  Art, Architecture, and the Family. New Haven:  Yale University Press, 2004.

Cole, Bruce.  Titian and Venetian Painting, 1450-1590.  Boulder:  Icon Editions, 1999.

Cropper, Elizabeth. “On Beautiful Women, Parmigianino, Petrarchismo, and the Vernacular Style.” Art Bulletin 58 (1976): 374-394.

Freedman, Luba.  Titian’s Portraits through Aretino’s Lens.  University Park:  Pennsylvania State University Press, 1995.

Gilbert, Creighton. “On Subject and Not-Subject in Italian Renaissance Pictures.”  Art Bulletin 34(1952):  202-16.

Goffen, Rona. Titian’s Women.  New Haven:  Yale University Press, 1997.

Goffen, Rona. Renaissance Rivals. Las Angeles: The Getty Grant Program, 2002.

Hope, Charles.  Titian.  New York:  Harper and Row, 1980.

Junkerman, Anne Christine.  “The Lady and the Laurel:  Gender and Meaning in Giorgione’s Laura.”  The Oxford Art Journal 16 (1993): 49-58.

Queller, D.  “Father of the Bride:  Fathers, Daughters, and Dowries in Late Medieval and Early Renaissance Venice.”  Renaissance Quarterly 46/4 (1993):  685-711.

Rodini, Elizabeth, and Elissa B. Weaver.  A Well-Fashioned Image:  Clothing and Costume in European Art, 1500-1800.  Chicago:  University of Chicago, 2002.

Tietze, Hans.  Titian, Paintings and Drawings.  Vienna:  Phaidon Press, 1937.

Tinagli, Paola. Women in Italian Renaissance Art. Manchester: Manchester University Press, 1997.

Turner, Jane ed. The Dictionary of Art. New York: Macmillan Publishers Limited, 1996.

Wethey, Harold.  The Paintings of Titian.  3 vols.  London:  Phaidon, 1969.

<- PREVIOUS